Badelon, F. (1999). Entre satire et humour, Shaftesbury et le théâtre Élisabéthain. Revue de Métaphysique et de Morale, 2, σσ. 61–72.
Day, A. (2011). Satire and dissent: Interventions in contemporary political debate. Bloomington: Indiana University Press.
Eustis, A. (1973). The nature of Molière’s satire. Romance Notes, 15, σσ. 5–14.
Finke, L. A. (1984). The satire of women writers in "The Female Wits". Restoration: Studies in English Literary Culture, 1660-1700, 8/2, σσ. 64–71.
Freudenburg, K. (1993). The walking muse: Horace on the theory of satire. Princeton: Princeton University Press.
Gérin, A. (2018). Devastation and laughter: Satire, power, and culture in the early Soviet State (1920s–1930s). Toronto: University of Toronto Press.
Gray, J., Jones P. J., & Thompson E. (Επιμ). (2009). Satire TV: Politics and comedy in the post-network era. New York: New York University Press.
Halliwell, S. (1984). Aristophanic satire. The Yearbook of English Studies, 14, σσ. 6–20.
Hernández, G. E. (1991). Chicano satire: A study in literary culture. Austin: University of Texas Press.
Jossa, S., & Moroncini, A. (2017). Comedy, satire, paradox, and the plurality of discourses in 'Cinquecento' Italy: Introduction. Renaissance and Reformation/Renaissance et Réforme, 40/1, σσ. 5–12.
Kasparek, J. L. (1977). Molière’s Tartuffe and the traditions of Roman satire. Chapel Hill: University of North Carolina Press.
Keane, C. C. (2003). Theatre, spectacle, and the satirist in Juvenal. Phoenix, 57/3-4, σσ. 257–75.
Leuchtenmüller, T. (2000). Vom modernen Theater Der Dissonanz: Satire in experimentellen amerikanischen Dramen der sechziger Jahre. Amerikastudien/American Studies, 45/2, σσ. 175–84.
Mauron, C. (1964). Psychocritique du genre comique. Paris: Librairie José Corti.
Morgan, D. F. (2020). Laughing to keep from dying: African american satire in the twenty-first century. Champaign: University of Illinois Press.
Poulios, Α., Iliadis Α., & Seiragakis Μ. (2022). Greek theatrical satirical songs as indices of resistance. Στο I. Contreras & H. Martín-Nieva (Επιμ.), Music and resistance in the 20th-century (σσ. 259–273). Turnhout: Brepols.
Raymond, R. C. (2024). Satire, comedy and tragedy: Sterne’s "Handles" to Tristram Shandy. London, New York, Melbourne & Delhi: Anthem Press.
Sciama, L. D. (Επιμ.). (2018). Humour, comedy and laughter: Obscenities, paradoxes, insights and the renewal of life (Τόμ. 8). New York & Oxford: Berghahn Books.
Vickers, M. (1997). Pericles on stage: Political comedy in Aristophanes’ early plays. Austin: University of Texas Press.
Διαμαντάκου, Κ. (2007). Η επιβίωση της παρ(ατραγ)ωδίας από την αρχαία στη νέα ελληνική δραματουργία. Στο Περί τραγωδίας και τρυγωδίας (σσ. 437–552). Αθήνα: Παπαζήσης.